Free Download M: The Man Who Became Caravaggio, by Peter Robb

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M: The Man Who Became Caravaggio, by Peter Robb

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From Publishers Weekly

Recognized now as a peer of 17th-century masters Rembrandt and Vermeer, Michelangelo Merisi da Caravaggio (1571-1610) painted notoriously provocative religious and classical tableaux, yet left few traces ("no letters, no table talk, no notebook or treatise") of his life beyond his art. Australian -born Robb, whose ex-pat tour-de-force Midnight in Sicily: On Art, Food, History, Travel, & La Cosa Nostra took readers through that fascinating island, has created an idiosyncratic but dazzling biography of Caravaggio by exploiting almost every extant fragment, including a handful of sightings by friends and enemies, and the scanty Italian police files. More audaciously, Robb spreads through the life many pages on every known canvas, leaving appropriately theatrical description in his wake. Robb's Caravaggio--or "M," as he insists on calling the multimonikered and aliased painter--was a violent man of "hairtrigger touchiness," who fueled the passionate intensity of his painting with his professional and emotional frustrations, managing to register raw life in a religious culture that demanded, according to Robb, vapid holiness. Bisexual, he painted and loved pubescent boys, and patronized the female prostitutes he used as models. To great effect, Robb inserts reflections by the painter's contemporaries within his own sentences, offsetting them with italics rather than quotation marks: "M's repeated and humiliating requests for small advances from Masetti confirmed the need. That wasn't his style and he reddens whenever he sees me." He studs his own descriptions with odd words, obscenities and anachronistic, out-of-place contemporary references ("... like Ronald Reagan playing the cowboy"). Yet it all works--Robb's flawed, melodramatic, swollen biography is crammed with more about the dark, driven Caravaggio than any previous life. Just as Caravaggio took art to the edge, Robb takes biography there. 16 pages of illus., 8 in color, not seen by PW. Copyright 1999 Reed Business Information, Inc.

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From Library Journal

Of books about the art and life of the great Caravaggio, there are apparently no end. Unfortunately this comprehensive consideration of the master's life and oeuvre neither particularly expands our understanding nor further illuminates our appreciation. Attentive as he is to the immediate world around the artist, Robb's hostility to Catholicism and his insensibility to the religious content and emotion of Caravaggio's mature paintings vitiates not only the sometimes perceptive value of his analyses but also the quality of his contextual reconstruction. His evocation of qualities in the paintings are not always apparent and are at times dubiously inferred from problematic biographical data. Similarly troubling are his sexualization of the artist's content and the sometimes feverish conspiratorial nets that are educed from a limited body of documentation. "Caravaggesque" provocations, vulgarity, neologisms, colloquial jargon, Australian slang, and smart-alecky allusions mar the verve of Robb's prose. Collections desiring a contextual approach will be better served by Helen Langdon's Caravaggio: A Life (LJ 6/1/99), while those concerned with accessible formal elucidation and comprehensive illustration will wish to acquire Catherine Puglisi's Caravaggio, LJ 4/1/99.---Robert Cahn, Fashion Inst. of Technology, New York Copyright 1999 Reed Business Information, Inc.

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Product details

Hardcover: 560 pages

Publisher: Henry Holt and Co.; 1st edition (February 10, 2000)

Language: English

ISBN-10: 0805063560

ISBN-13: 978-0805063561

Product Dimensions:

6.4 x 1.9 x 9.6 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

47 customer reviews

Amazon Best Sellers Rank:

#1,130,979 in Books (See Top 100 in Books)

Excellent bio and a great analysis skill by the author. i read many separated documents on the subject and I notice how well constructed is everything in this book and fits what documents and sources tell. Highly recommended

My main gripe with this book is the terrible quality of the reproductions. They are so bad I bought a $10 Caravaggio book from Taschen and tried to cross-reference. Awkward, but better than relying on the fuzzy reproductions in this book. Robb points out that the life of Caravaggio remains mysterious. Robb's version of it is exactly that: his version. He takes great pains to back up his opinions, but apparently he did his own translations. Did anyone edit his translations? The biographical elements of this book I find questionable, and to some extent he admits that they are. On a more positive note, however, Robb's commentary on the major paintings is thoughtful and fascinating. If this book remains in publication, better reproductions would certainly be helpful.

The art of Caravaggio has always stopped me in my tracks. Peter Robb's book, M: The Man Who Became Caravaggio, help me understand why so many people were affected this way. It's not just the way he tells the story of Caravaggio's life, but how he infuses the paintings with the painter. It's not only the sketchy outline of his life, it is the times in which he lived, the city in which he lived, the people who lived there with him, and the places which are still standing, as they were in the start of the seventeenth century. If you were REQUIRED to take an art history course in college, and you have broken out in hives whenever you approached a masterpiece ever since, then this is the cure.

Peter Robb has managed to achieve a miraculous symphony in this long (500 + pages) book: It's a biography, a detective story (little is known about Caravaggio's life), a social history of Rome, and a definitive art book. As a result, you can read this book on many levels. I read it first as a "beach book" for the story, and then again, when I took a vacation to Rome and tried to see as many of his remaining paintings as I could.Robb explains how Caravaggio was a breakthrough painter in his use of light, and in his use of recognizable local models (almost all of whom Robb has been able to identify) to express the religious art of the day. Mannerism died at his hands.Moreover, Peter Robb builds a credible portrait of Caravaggio's brittle personality--it's easy to see why people were out to kill him. At first I thought the title "M" was a little contrived, but by the end of the book, I realized that it's cipher for the real man behind the familiar name. (Calling someone "Caravaggio" after the town is like giving someone the nickname "Boston").The reproductions are carefully chosen and richly presented. You'll enjoy reading--and re-reading--this wonderful book.

The literary style was a blast, the closest we will ever get to an art biography penned by James Ellroy. I subtracted the star because some of the biographical speculations made by the author have now been proven be inaccurate elsewhere. Don't be dissuaded by stuffy reviews...It's a hell of a lot of fun and need not be definitive to be worthy of a look.

This book has it all - erudition, polemics, irreverence, controversy, intrigue, irony, eroticism, romance, depravity... the list is endless! Meticulously researched and annotated, soundly argued and reasoned, Mr. Robb is a gracious champion to the very complex artist who is historically reduced to a one-dimensional churl who happened to have a way with a paint-brush.Caravaggio was a pioneer (a very dangerous occupation during the counter-reformation), - the manner in which he approached his subjects, the lighting (or relative lack there-of), his refusal to sketch out a work before painting it, his perspective, his "earthy" handling of religious themes; these approaches became both his claim to fame, and his downfall. A downfall facilitated by jealous contemporaries, greedy art collectors, and Caravaggio's own sexual and social indiscretions.Not a light read by any means - make sure your thinking cap is well positioned, and your seat belt is tightly fashioned - you're in for one hell of a ride!

A wonderfully researched and clearly written account of the life of Caravaggio, the great Italian artist who died mysteriously at such a young age. All Caravaggio's paintings are available on the internet and it was great to be able to read Peter Robb's description of the paintings while looking at the image on my tablet at the same time. Caravaggio has always been one of my favourite artists and I loved this book.

Riveting book about the life of a great and fundamentally influential painter. As one art critic put it, "There was painting before Caravaggio and there was painting after Caravaggio."

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